Titel Media Sites highsnobiety.com highsnobette.com selectism.com curatedmag.com radcollector.com
-
Columns
Chris Bray
James Minchin is an LA based photographer that, among other ...
Read more
Brandon Day
Here's a really nice interview with Steven Harrington ...
Read more
Nick Schonberger
My man LxE For The Uncool dropped a neat little teaser for ...
Read more
Benjamin G. Vergnion
Fantastic trip in Europe... Berlin, Zurich, Geneva, London ...
Read more
Benjamin Ferencz
James Wilson / Secret Forts for FairEnds Tweed Camp ...
Read more
Simon Beckerman
I just came back from New York where I've been invited ...
Read more
Features
We speak to Charlie Allen about making clothing for ...
Read more
We recently caught up with Kenneth MacKenzie, of 6876, ...
Read more
We take a look at how Jacket Required went. ...
Read more

Daily News

Selectism | Around the Web

13 October 2011, 04.03 | Posted in Roundup | No comments »

01. COS supports Frame at Frieze Art Fair 2011

“COS are continuing their support in partnering with Frame at Frieze Art Fair this year. They believe the Frieze Art Fair reflects this outlook by supporting artists which challenge the boundaries of contemporary art.” (youtube)

02. Garbage Collectors: Scott Webel / Museum of Ephemerata

“Ephemerata Gardens collects all kinds of objects and life forms.1 Some are added on purpose, and others move into the landscape patch of their own volition. Collecting is a process whereby a habitat temporarily gathers things together in a net of emergent relationships. Sometimes a sorting mechanism aggregates collections by size, weight, composition, or information content. Other times everything is anarchically roiled and churned. Shiny silver candy wrappers and Styrofoam cup shreds blow into the yard from the alley. Nesting blue jays drop six-pack rings. A plastic grocery bag parachutes from the sky onto the tomatoes.” (flow)

03. Massive Attack vs. Burial – ‘Four Walls’

“Because despite the fact that Will Bevan clearly knows his way around a beat (I mean, ‘Near Dark’, come on), what makes his music so affecting is its rich, endlessly layered atmosphere and the timing with which those trademark flashes of light are deployed. That’s probably nothing new to anybody who’s listened to Untrue, but it’s worth noting when you listen to ‘Four Walls’ – Burial’s longest track to date, and for all intents and purposes, an ambient one. Sure, there’s drums – a clock-esque tick-tock fills the majority of the track, and a gated kick-drum closes it – but it’s never once concerned with rhythm; all that minimal tick-tock really represents is blank space for Burial to get as virtuoso and experimental with sound design as he ever has before.” (fact)


Related posts:
» No related posts
Leave comment